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Thu, 14 Jun 2007 16:18:25 -0500 Indigenous in the News Indigenous Internet Chamber of Commerce http://www.iicoc.com/newmedia/newmedia.html Indigenous Internet Chamber of Commerce - http://www.iicoc.com The intent of this podcast is to empower indigenous cultures of the western hemisphere. This is an audio podcast production of the "Indigenous Internet Chamber of Commerce". Minneapolis Minnesota The voice of the first peoples of the Western Hemisphere The intent of this podcast is to empower indigenous cultures of the western hemisphere. This is an audio podcast production of the "Indigenous Internet Chamber of Commerce". Minneapolis Minnesota en-us 2006 Indigenous Internet Chamber of Commerce http://creativecommons.org/licenses/by-nc-nd/2.5/ Indigenous in the News paulmeek@comcast.net http://www.iicoc.com/podcast/podcastlogo_144.jpg Indigenous in the News http://www.iicoc.com 144 144 Music Business News News & Politics indigneous, native american, american indian, empowerment, chamber of commerce, business, western hemisphere, music no Stevie Salas - Artist of the Month for June 2007 Stevie Salas Go back in time and catch Bill and Ted's Excellent Adventure then guess who played those fiery guitar riffs flying off the fingers of George Carlin's character, Rufus. If you answered, "Stevie Salas," then a big, "No way, yes way!" to you. Considered by many to be one of the top fifty guitarists of all time, Salas has gained the attention of musicians around the world as well as classic rockers like Mick Jagger, George Clinton, Billy Gibbons, Zakk Wylde, Billy Idol, Rick Neilson, and Rod Stewart. A self-taught Native-American (Mescalero Apache) guitar prodigy and creator of his own rock genre, Salas' aggressive dark punk-funk style reflects the journey he's taken from the streets of San Diego to concert arenas. It was a hard stretch of road, but his career took off when funkadelic master George Clinton asked if he'd sit in as his studio guitarist. The Clinton connection helped pave the way to a recording offer from Island Records - the most attractive in the company's history. Salas soon became an item in the music world and was embraced by fellow musicians Bootsy Collins, Was (Not Was), and Eddie Money. It wasn't long before young Stevie was flying around the world in the private jet of classic rocker Rod Stewart. Then, Mick Jagger rang him up for another unbelievable romp in stardom. Stevie's first solo outing, Stevie Salas: Colorcode (1990) shows heavy classic rock influences with is heavily influenced by a broad spectrum of early rockers. His second CD, Back from the Living (1994), outran big guns like the Stones and Aerosmith on the Japanese music charts. Today, Salas music resumé lists 18 solo albums and his contributions to a series of compilation works as a guest artist. Modern Guitars caught up with singer-songwriter-producer Stevie Salas after he landed from a bit of surfing in Costa Rica and laying down some new tracks for his next CD that he tells us will be called, Stevie Salas: What It Was to Be, What It Is. Considered by many to be one of the top fifty guitarists of all time. Go back in time and catch Bill and Ted's Excellent Adventure then guess who played those fiery guitar riffs flying off the fingers of George Carlin's character, Rufus. If you answered, "Stevie Salas," then a big, "No way, yes way!" to you. Considered by many to be one of the top fifty guitarists of all time, Salas has gained the attention of musicians around the world as well as classic rockers like Mick Jagger, George Clinton, Billy Gibbons, Zakk Wylde, Billy Idol, Rick Neilson, and Rod Stewart. A self-taught Native-American (Mescalero Apache) guitar prodigy and creator of his own rock genre, Salas' aggressive dark punk-funk style reflects the journey he's taken from the streets of San Diego to concert arenas. It was a hard stretch of road, but his career took off when funkadelic master George Clinton asked if he'd sit in as his studio guitarist. The Clinton connection helped pave the way to a recording offer from Island Records - the most attractive in the company's history. Salas soon became an item in the music world and was embraced by fellow musicians Bootsy Collins, Was (Not Was), and Eddie Money. It wasn't long before young Stevie was flying around the world in the private jet of classic rocker Rod Stewart. Then, Mick Jagger rang him up for another unbelievable romp in stardom. Stevie's first solo outing, Stevie Salas: Colorcode (1990) shows heavy classic rock influences with is heavily influenced by a broad spectrum of early rockers. His second CD, Back from the Living (1994), outran big guns like the Stones and Aerosmith on the Japanese music charts. Today, Salas music resumé lists 18 solo albums and his contributions to a series of compilation works as a guest artist. Modern Guitars caught up with singer-songwriter-producer Stevie Salas after he landed from a bit of surfing in Costa Rica and laying down some new tracks for his next CD that he tells us will be called, Stevie Salas: What It Was to Be, What It Is. http://www.iicoc.com/podcast/salas_interview.m4a Fri, 15 Jun 2007 10:37:36 -0500 Music no 00:30:57 indigneous, native american, american indian, empowerment, chamber of commerce, business, western hemisphere, music Jackie Bird - May 2007 Artist of the Month Jackie Bird Jackie Bird - Grace, beauty and spirituality "Long time ago, when the Wamakas'kan (animal nation, including man) came to a shocking awakening, because the world they were enjoying became dark and ugly, and they realized, that, they were not living the teachings of Tunkasina (Grandfather/God) and the Universal Law, of Love-for self and one another, Respect-for self and one another, Honor-for self and one another, these are only some of the teachings that they were supposed to live by, but they did not pay attention and lived a life of recklessness, and abused their energy they were given by the Tunkasina (Grandfather/God), which led to a life of corruption, greed, and a unnatural lifestyle. The Wamakas'kan did not know were to turn to for help, and were silent, suddenly off in the distance they heard a noise, and were silent, and it pleased the heart, as the sound came closer, they realized that this sound was Wakan (holy/sacred), a "Sacred Vibration", that brought tears to the eyes. When they could see the "thing" making the noise, it was a Bird. The bird sang, "follow me, I will show you a place of peace and harmony, where there is Respect, Love, and Honor". Wopida (Thank-You), Jackie Bird for your energy and healing of our Dakota Oyate (people) with the songs and good vibrations." Mitakuye Oyasin (all my Relatives) Marty Indian School Jackie Bird Interview - May 2007 Jackie Bird - Grace, beauty and spirituality "Long time ago, when the Wamakas'kan (animal nation, including man) came to a shocking awakening, because the world they were enjoying became dark and ugly, and they realized, that, they were not living the teachings of Tunkasina (Grandfather/God) and the Universal Law, of Love-for self and one another, Respect-for self and one another, Honor-for self and one another, these are only some of the teachings that they were supposed to live by, but they did not pay attention and lived a life of recklessness, and abused their energy they were given by the Tunkasina (Grandfather/God), which led to a life of corruption, greed, and a unnatural lifestyle. The Wamakas'kan did not know were to turn to for help, and were silent, suddenly off in the distance they heard a noise, and were silent, and it pleased the heart, as the sound came closer, they realized that this sound was Wakan (holy/sacred), a "Sacred Vibration", that brought tears to the eyes. When they could see the "thing" making the noise, it was a Bird. The bird sang, "follow me, I will show you a place of peace and harmony, where there is Respect, Love, and Honor". Wopida (Thank-You), Jackie Bird for your energy and healing of our Dakota Oyate (people) with the songs and good vibrations." Mitakuye Oyasin (all my Relatives) Marty Indian School http://www.iicoc.com/podcast/bird_interview.m4a Tue, 15 May 2007 15:44:19 -0500 Music no 00:24:22 indigneous, native american, american indian, empowerment, chamber of commerce, business, western hemisphere, music The Plateros - Artist of the Month for March 2007 Douglas, Levi and Murphy Platero In order to tell the story of this family band we have to start at the beginning. In the early 50's, the Gospel was preached to a small Navajo reservation 35 miles west of Albuquerque, NM (Tohajiilee). In one those meetings, many gave their lives to Jesus Christ. One of them was a lady by the name of Racheal Platero. With her new found faith and love, she proclaimed the love of God to her entire family. In the late 50's her sons came to follow the Lord Jesus. Chester & Robert (Bobby) Platero had no clue to what God had in store for them. They came together and worshipped. In the midst of all of them God called Chester Platero (Murphy's dad) and his older brother, Joe D Sandoval, to preach the Gospel to the Navajo Nation, when there were no Native preachers or Native ministers or churches. The group consists of Levi Mitchell Platero on guitar, with his father, Murphy L Platero on Bass guitar and Vocals, and his older cousin Douglas Jay Platero on drums. In order to tell the story of this family band we have to start at the beginning. In the early 50's, the Gospel was preached to a small Navajo reservation 35 miles west of Albuquerque, NM (Tohajiilee). In one those meetings, many gave their lives to Jesus Christ. One of them was a lady by the name of Racheal Platero. With her new found faith and love, she proclaimed the love of God to her entire family. In the late 50's her sons came to follow the Lord Jesus. Chester & Robert (Bobby) Platero had no clue to what God had in store for them. They came together and worshipped. In the midst of all of them God called Chester Platero (Murphy's dad) and his older brother, Joe D Sandoval, to preach the Gospel to the Navajo Nation, when there were no Native preachers or Native ministers or churches. http://www.iicoc.com/podcast/plateros_interview.m4a Thu, 15 Mar 2007 14:13:39 -0500 Music no 00:31:13 indigneous, native american, american indian, empowerment, chamber of commerce, business, western hemisphere, music Darren Geffre - Artist of the Month for February 2007 Darren Geffre Born and raised in Aberdeen, South Dakota, Darren Geffre started writing music and lyrics when he was 12 years old. Since then, he has pushed his pop/rock music all over the globe. Darren's music has captured fans of all ages. Darren has been playing and singing in bands since the age of 16 with previous groups such as Black Diamond, Crimson and "Nammy" Nominated group "Wakinyan". His stage presence is distinguished by his vibrant energy. Darren's original music was nominated for a 2001 Native American Music Award for the single "If I Ever", in the category of Best Independent Recording. Darren's album "Uncivilized" has sold over 9000 copies, enough to get him a 2004 entry level "Grammy" nominated for "Best New Artist" and "Album of the Year". He has been featured on LA's legendary Pacifica Radio, NPR (National Public Radio), National Native News, The American Indian Cable Network - Comcast, XM Satellite Radio, Darren was August 2003's "Music Maker of the Month" on nationally syndicated "Native America Calling", Men's Health Magazine, Native People's Magazine, APTN (Aboriginal People's Television Network), TNT's "Into the West" and ABC Family's "Wildfire" pilot in 2005. Darren's music landed #1 on 9 different CMJ College Radio stations in 2003 and he can be heard on 180 radio stations across the United States and Canada including XM Satellite radio. Darren is also the first Native American Artist to be on Podcasting. Darren's latest CD was produced by Duncan Pain and Pop Maestro Peter Amato. Darren recently won the award for "Outstanding Musical Performance" for 2003 from FAITA (First Americans in the Arts). Won the 2004 "Award of Distinction" Music Video Award at Indian Summerfest in Milwaukee, WI, Darren was also nominated for "Best Pop Album" at Indian Summerfest 2004. Darren was featured twice in "Men's Health Magazine", once in December 2002 and then again in August 2005 for his incredible 125 pound weight loss. Darren's constant drive and determination is making him something to reckon with in the music industry. Darren Geffre Interview - February 2007 Born and raised in Aberdeen, South Dakota, Darren Geffre started writing music and lyrics when he was 12 years old. Since then, he has pushed his pop/rock music all over the globe. Darren's music has captured fans of all ages. Darren has been playing and singing in bands since the age of 16 with previous groups such as Black Diamond, Crimson and "Nammy" Nominated group "Wakinyan". His stage presence is distinguished by his vibrant energy. Darren's original music was nominated for a 2001 Native American Music Award for the single "If I Ever", in the category of Best Independent Recording. Darren's album "Uncivilized" has sold over 9000 copies, enough to get him a 2004 entry level "Grammy" nominated for "Best New Artist" and "Album of the Year". He has been featured on LA's legendary Pacifica Radio, NPR (National Public Radio), National Native News, The American Indian Cable Network - Comcast, XM Satellite Radio, Darren was August 2003's "Music Maker of the Month" on nationally syndicated "Native America Calling", Men's Health Magazine, Native People's Magazine, APTN (Aboriginal People's Television Network), TNT's "Into the West" and ABC Family's "Wildfire" pilot in 2005. Darren's music landed #1 on 9 different CMJ College Radio stations in 2003 and he can be heard on 180 radio stations across the United States and Canada including XM Satellite radio. Darren is also the first Native American Artist to be on Podcasting. Darren's latest CD was produced by Duncan Pain and Pop Maestro Peter Amato. Darren recently won the award for "Outstanding Musical Performance" for 2003 from FAITA (First Americans in the Arts). Won the 2004 "Award of Distinction" Music Video Award at Indian Summerfest in Milwaukee, WI, Darren was also nominated for "Best Pop Album" at Indian Summerfest 2004. Darren was featured twice in "Men's Health Magazine", once in December 2002 and then again in August 2005 for his incredible 125 pound weight loss. Darren's constant drive and determination is making him something to reckon with in the music industry. http://www.iicoc.com/podcast/geffre_interview.m4a Thu, 15 Feb 2007 11:28:24 -0600 Music no 00:29:17 indigneous, native american, american indian, empowerment, chamber of commerce, business, western hemisphere, music Joni & Eric Buffalohead - Artist of the Month for January 2007 Bluedog BLUEDOG is a 7 member Native American Blues-Rock group hailing from the "Twin Cities" of Minnesota. Bringing their unique style of hard-edged blues based song stylings to the public with the release of their debut recording "From All Directions". The recording of this incredible debut was accomplished through their work with acclaimed producer Tony Palmer at One Feather Recording Studios in Albuquerque, New Mexico. The recording was nominated for two Native American Music Awards (Best Blues and Debut Artist) and one Indian Summer Music Award (Best Blues) in 2006. The recording captures the high energy and instantly recognizable influences that bring this band to the forefront of the Native American contemporary music genre. Powered by the songwriting of Eric (Ponca Nation) & Joni Weston-Buffalohead (Bdewakantowan/Sisseton), this nine song recording is one of the most talked about and anticipated new releases in 2005. High octane guitar based compositions with a wide range of musical influences including Jimi Hendrix, Santana and Indigenous..... BLUEDOG rocks the roof at every performance. Bluedog Interview - January 2007 BLUEDOG is a 7 member Native American Blues-Rock group hailing from the "Twin Cities" of Minnesota. Bringing their unique style of hard-edged blues based song stylings to the public with the release of their debut recording "From All Directions". The recording of this incredible debut was accomplished through their work with acclaimed producer Tony Palmer at One Feather Recording Studios in Albuquerque, New Mexico. The recording was nominated for two Native American Music Awards (Best Blues and Debut Artist) and one Indian Summer Music Award (Best Blues) in 2006. The recording captures the high energy and instantly recognizable influences that bring this band to the forefront of the Native American contemporary music genre. Powered by the songwriting of Eric (Ponca Nation) & Joni Weston-Buffalohead (Bdewakantowan/Sisseton), this nine song recording is one of the most talked about and anticipated new releases in 2005. High octane guitar based compositions with a wide range of musical influences including Jimi Hendrix, Santana and Indigenous..... BLUEDOG rocks the roof at every performance. http://www.iicoc.com/podcast/bluedog_interview.m4a Mon, 15 Jan 2007 10:29:49 -0600 Music no 00:32:09 indigneous, native american, american indian, empowerment, chamber of commerce, business, western hemisphere, music Isaac Mandamin - Artist of the month for December 2006 Isaac Mandamin South Thunderbird Isaac Mandamin (Vocals & Guitar of South Thunderbird) Isaac was born and raised on the Whitedog Ojibway Reserve (Wabseemoong First Nation 100km North of Kenora ON). Isaac was blown away when he first heard Stevie Ray Vaughans music and thats when he knew he wanted to play the blues. He started to buy and research the genre of blues and has been influenced by lots of old and new artist of the music Some of Isaacs influences are BB, Albert, Freddy King, Eric Clapton, Buddy Guy, Jimi Hendrix, Stevie, Jimmie Vaughan and Colin James. Isaac moved to Waterloo/Kitchener ON in 1997 and put together his first band called Shades of Blooze; they played in local bars in Waterloo/Kitchener and went on road trips to Brandford, Oakville, Toronto, (Silver Dollar, Black Swan, Chick N Deli)Isaac started a new band called South Thunderbird, which is also Isaacs spiritual name (Aboriginal name) and moved to Toronto ON to get more experience in playing the blues. Isaac moved back to Winnipeg Manitoba to be close to his family and to have a new start with his music. South Thunderbird had critical acclaim with their debut album Tough Go which was released January 2005. South Thunderbird had received 2 nominations at the 2005 Canadian Aboriginal Music Awards for Best Blues Recording & Best Group or duo and also got nominated at the 2005 Western Canadian Music Awards for Best Blues Recording. Chase was ..1 song for the month of August 2005 on NCI (Manitoba Aboriginal radio station) top 30 count down and Goin in Blind was ..2 in CBC National internet radio count down for September 2005. South Thunderbird was also called to perform on a National TV show called REZ BLUES aired on APTN/BRAVO channel in winter of 2006 and performed regularly on BIG BREAKFAST TELEVISION in City TV Manitoba. South Thunderbird Interview - December 2006 South Thunderbird Isaac Mandamin (Vocals & Guitar of South Thunderbird) Isaac was born and raised on the Whitedog Ojibway Reserve (Wabseemoong First Nation 100km North of Kenora ON). Isaac was blown away when he first heard Stevie Ray Vaughans music and thats when he knew he wanted to play the blues. He started to buy and research the genre of blues and has been influenced by lots of old and new artist of the music Some of Isaacs influences are BB, Albert, Freddy King, Eric Clapton, Buddy Guy, Jimi Hendrix, Stevie, Jimmie Vaughan and Colin James. Isaac moved to Waterloo/Kitchener ON in 1997 and put together his first band called Shades of Blooze; they played in local bars in Waterloo/Kitchener and went on road trips to Brandford, Oakville, Toronto, (Silver Dollar, Black Swan, Chick N Deli)Isaac started a new band called South Thunderbird, which is also Isaacs spiritual name (Aboriginal name) and moved to Toronto ON to get more experience in playing the blues. Isaac moved back to Winnipeg Manitoba to be close to his family and to have a new start with his music. South Thunderbird had critical acclaim with their debut album Tough Go which was released January 2005. South Thunderbird had received 2 nominations at the 2005 Canadian Aboriginal Music Awards for Best Blues Recording & Best Group or duo and also got nominated at the 2005 Western Canadian Music Awards for Best Blues Recording. Chase was ..1 song for the month of August 2005 on NCI (Manitoba Aboriginal radio station) top 30 count down and Goin in Blind was ..2 in CBC National internet radio count down for September 2005. South Thunderbird was also called to perform on a National TV show called REZ BLUES aired on APTN/BRAVO channel in winter of 2006 and performed regularly on BIG BREAKFAST TELEVISION in City TV Manitoba. http://www.iicoc.com/podcast/south_thunderbird_interview.m4a Fri, 15 Dec 2006 16:14:33 -0600 Music no 00:32:09 indigneous, native american, american indian, empowerment, chamber of commerce, business, western hemisphere, music Elk Soldier - Artist of the Month for November 2006 Elk Soldier About elksoldier Gary Drapeau(lead singer), Glenn Drapeau, DJ Danforth JR. , Everett Danforth, Kevin Pederson Jr., Galen Drapeau Sr., OC Earth, Dennis Danforth Sr., Gerald Danforth, A J Drapeau, ,Camron Smith, Quinton Pushentanequa, Jason Kingbird,Adam Heth, Back up singers Melinda Danforth, & Reva Danforth We hail out of Marty,SD. We come together after I had a dream bout a warrior . His name was Hehaka Akicita interpreted in english to Elk Soldier. He told us to use his name and his music to help the people so I prayed about it and everything started coming together. We jus want to dedicate our music to the people and the dancers and all u rockin drum groups. lookin forward to jammin wit yalls on the trail. Pidamaya Elk Soldier Interview - November 2006 About elksoldier Gary Drapeau(lead singer), Glenn Drapeau, DJ Danforth JR. , Everett Danforth, Kevin Pederson Jr., Galen Drapeau Sr., OC Earth, Dennis Danforth Sr., Gerald Danforth, A J Drapeau, ,Camron Smith, Quinton Pushentanequa, Jason Kingbird,Adam Heth, Back up singers Melinda Danforth, & Reva Danforth We hail out of Marty,SD. We come together after I had a dream bout a warrior . His name was Hehaka Akicita interpreted in english to Elk Soldier. He told us to use his name and his music to help the people so I prayed about it and everything started coming together. We jus want to dedicate our music to the people and the dancers and all u rockin drum groups. lookin forward to jammin wit yalls on the trail. Pidamaya http://www.iicoc.com/podcast/Elk_Soldier_Interview.m4a Wed, 15 Nov 2006 15:51:21 -0600 Music no 00:34:04 indigneous, native american, american indian, empowerment, chamber of commerce, business, western hemisphere, music Jimmy Wolf - Artist of the Month for October 2006 Jimmy Wolf Jimmy Wolf's guitar tone is as tight and tough as his vocals, his band , and his songs. Rome New York's tiger man hails from the Mowhawk Nation which can't help but inform some songs but don't get Jimmy Wolf 's thing confused with some other brands of modern native derived music. He ain't playin' no flute and the only new age Mr. Wolf delivers is that of straight up american roots music. Although scarred and marked by Hound Dog Taylor at an early age I'm sure he grew to love the north Mississippi masters like Kimbrough, Burnside , and Ford among others as well whose emphasis is more on full vibe than on some wanky over-used abundance of manual dexterity. Some call Wolf's music "Punk Blues" but that ain't all right and does not tell even the half of it. Yeah he kicks his blues up to "8" 'til it rocks harder than the 'stones vs Chuck Berry street fight. He'll also shift it low down onto Highway 7 and make your girl want to roll in the midnight cotton with him and a quart bottle of golden 'shine. He'll break your heart like Bon Scott or Jerry Lee or Black Crowes and it ain't pretty. But when he throws a chunk of kool smart art alt pop from behind you you gotta hope he'll do it again. Jimmy Wolf's thing is Super Live Full House Rockin' Back Alley Scrappin' dirty lovin' blues. and more. Young Wolf joins a growing rank of roots freaks who see full well that sometimes even the old things that you love need a respectful kick in the head and be-hind and Jimmy Wolf administers that kick with a wild heavy passion that will inspire followers and leaders alike. Jimmy Wolf Interview - October 2006 Jimmy Wolf's guitar tone is as tight and tough as his vocals, his band , and his songs. Rome New York's tiger man hails from the Mowhawk Nation which can't help but inform some songs but don't get Jimmy Wolf 's thing confused with some other brands of modern native derived music. He ain't playin' no flute and the only new age Mr. Wolf delivers is that of straight up american roots music. Although scarred and marked by Hound Dog Taylor at an early age I'm sure he grew to love the north Mississippi masters like Kimbrough, Burnside , and Ford among others as well whose emphasis is more on full vibe than on some wanky over-used abundance of manual dexterity. Some call Wolf's music "Punk Blues" but that ain't all right and does not tell even the half of it. Yeah he kicks his blues up to "8" 'til it rocks harder than the 'stones vs Chuck Berry street fight. He'll also shift it low down onto Highway 7 and make your girl want to roll in the midnight cotton with him and a quart bottle of golden 'shine. He'll break your heart like Bon Scott or Jerry Lee or Black Crowes and it ain't pretty. But when he throws a chunk of kool smart art alt pop from behind you you gotta hope he'll do it again. Jimmy Wolf's thing is Super Live Full House Rockin' Back Alley Scrappin' dirty lovin' blues. and more. Young Wolf joins a growing rank of roots freaks who see full well that sometimes even the old things that you love need a respectful kick in the head and be-hind and Jimmy Wolf administers that kick with a wild heavy passion that will inspire followers and leaders alike. http://www.iicoc.com/podcast/jimmy_wolf_interview.m4a Sun, 15 Oct 2006 09:36:57 -0500 Music no 00:32:01 indigneous, native american, american indian, empowerment, chamber of commerce, business, western hemisphere, music Sara Hindsley - Artist of the month for September 2006 Sarah Hindsley Sarah Hindsley St Croix Annishinabe and Ho-Chunk Nations Cumberland's own nominated for national music award Wednesday, May 17, 2006 3:48 PM CDT Sarah Hindsley, originally from Cumberland, has been announced as a nominee for the 2006 Native American Music Awards. Hindsley's debut single, River of Life, is up for Best R&B/Hip Hop Recording. Hindsley, who has performed throughout northwest Wisconsin and Minnesota over the years, is actively pursuing a recording career. Hindsley is most recognized for performing at area musical festivals, casinos and Native American gatherings. Hindsley's talent also provided her the opportunity to perform the National Anthem at Minnesota Twins baseball game. Raised on the Maple Plain Reservation, Hindsley proudly represents the St. Croix Chippewa and Ho Chunk Tribes of Wisconsin. Hindsley uses her voice to spread hope among Native American people. Her unique ability to infuse R&B, hip hop, gospel, jazz and Native American singing draws fans of all kind. The Native American Music Awards, nicknamed "Nammys," is similar to other events such as the Grammys and Jammys. The Nammys honor the musical talents of Native American recording artists. An estimated 100 millions fans are expected to cast their vote in 25 different categories at www.nammys.com. Winners will be announced at the award ceremony at the Seminole Hard Rock Hotel & Casino in Hollywood, FL. http://www.cumberland-advocate.com/articles/2006/05/18/news/news01.txt Copyright © 2006 Cumberland Advocate All Rights Reserved. I met with Sarah Hindsley at our Chamber of Commerce. We talked briefly about how she started her career. We'll also hear music from her self titled Cd and listen to a bonus song "Tell the Truth". Sarah Hindsley St Croix Annishinabe and Ho-Chunk Nations Cumberland's own nominated for national music award Wednesday, May 17, 2006 3:48 PM CDT Sarah Hindsley, originally from Cumberland, has been announced as a nominee for the 2006 Native American Music Awards. Hindsley's debut single, River of Life, is up for Best R&B/Hip Hop Recording. Hindsley, who has performed throughout northwest Wisconsin and Minnesota over the years, is actively pursuing a recording career. Hindsley is most recognized for performing at area musical festivals, casinos and Native American gatherings. Hindsley's talent also provided her the opportunity to perform the National Anthem at Minnesota Twins baseball game. Raised on the Maple Plain Reservation, Hindsley proudly represents the St. Croix Chippewa and Ho Chunk Tribes of Wisconsin. Hindsley uses her voice to spread hope among Native American people. Her unique ability to infuse R&B, hip hop, gospel, jazz and Native American singing draws fans of all kind. The Native American Music Awards, nicknamed "Nammys," is similar to other events such as the Grammys and Jammys. The Nammys honor the musical talents of Native American recording artists. An estimated 100 millions fans are expected to cast their vote in 25 different categories at www.nammys.com. Winners will be announced at the award ceremony at the Seminole Hard Rock Hotel & Casino in Hollywood, FL. http://www.cumberland-advocate.com/articles/2006/05/18/news/news01.txt Copyright © 2006 Cumberland Advocate All Rights Reserved. http://www.iicoc.com http://www.iicoc.com/podcast/Sara%20Hindsley%20Interview_2.m4a Fri, 15 Sep 2006 12:27:31 -0500 Music no 00:15:39 indigneous, native american, american indian, empowerment, chamber of commerce, business, western hemisphere, music Danny Estrada & EV Garcia - Artist of the month for August 2006 Danny Estrada and EV Garcia Every decade or so, a great new band based out of L.A.s Eastside crosses cultural boundaries and language barriers, and merges into the mainstream music scene as a talent to be reckoned with. East Los Angeles youthful UPGROUND are clearly this decades band from the barrio to cross that divide. Their music is an exciting fresh musical blend of ska, reggae, cumbia, rock and funk. The Latin Ska music scene has embraced their music; however the material they are releasing on their first full length CD is too diverse to be limited to any one genre. It is indeed a variation of many sounds sure to appeal to all. UPGROUND began their musical journey early on, first at home and then at school. Participating in the school jazz band and orchestras these young musicians began to hone their skills. At home, the mix of traditional Latin music ranging from salsa to regional Mexican and everything in between began to fuse with the classic rock, blues, reggae, ska, and jazz they were listening to on their own. Undoubtedly, this eclectic range of music played an important role in developing into a delicate fusion of sounds that we now know as UPGROUND. The members are Adolfo Mercado Jr. Drums, Danny Estrada - Vocals & Guitar, Chris "Bolillo" Manjarrez Bass, and what has been introduced as the best horn section coming out of Los Angeles": Everado Garcia - Vocals & Trumpet, Chris De Los Santos - Tenor Sax & Keyboards, Eric Carrillo - Alto Sax & Timbales, Joseph Quinonez - Trombone, and Aaron Perez - Alto Sax UPGROUND has been playing locally for over 4 years and through their music these young men have developed a bond that translates into pure, raw musical energy. Their explosive live performances, displays their dedication, and pride not only to their music and the band as a whole, but to the communities they live in. This has transformed them into one of the most sought after young bands in Los Angeles competitive Latin music scene. In a short period of time they have shared the stage with such acts as Ozomatli, Tom Morello(Rage Against the Machine), Tierra, Malo, Quetzal, Voodo Glow Skulls, Go Betty Go, Quinto Sol and The B-Side Players to name a few. On the other side of the fence, they also had the privilege to open for Alternative bands like The Killers and The Chemical Brothers at the The Shrine Auditorium. Critical acclaim and recognition greeted UPGROUNDs first EP and their live performances as time went on, culminating in a surprise April 22, 2006 Los Angeles Times review. Writer Agustin Gurza wrote a glowing review of their show called Theyre Younger than they sound and said: Despite their age, they seem to channel artists many of their peers have never heard of Bob Marley, Glenn Miller, Arturo Sandoval, Tower of Power. And they play with a surprising mastery of complex harmonies and time changes. The review led to Nationwide attention including an offer to play Hollywood & Highland (Kodak Theater)s Fridays by the Fountain, and interest from the Reality TV show Jammin (on SITV). UPGROUND releases their debut full length CD titled Feel the Vibe in summer of 2006. Over a year in the making, it was Produced by Rudy Salas of Tierra, Mixed by David Salas (who produced La Sinfonia (Sony), Don Abusivo (Universal), El Pecador (Universal), and La Epidemia (EMI)), and Mastered by Brian Springer/ Precision Studios, who has produced/recorded Pink, Christina Aguilera, Mya, Snoop Dog, J-LO/Ja Rule, Ashanti, Alicia Keys, Michael Jackson, Fat Joe, Mariah Carey, and many more. UPGROUND does not have a major Label record deal yet however they are delivering a Major Record Label product. Watch out for UPGROUND, this is only the beginning. The music of Upground is an exciting fresh musical blend of ska, reggae, cumbia, rock and funk.The material they are releasing on their first full length CD is too diverse to be limited to any one genre. Every decade or so, a great new band based out of L.A.s Eastside crosses cultural boundaries and language barriers, and merges into the mainstream music scene as a talent to be reckoned with. East Los Angeles youthful UPGROUND are clearly this decades band from the barrio to cross that divide. Their music is an exciting fresh musical blend of ska, reggae, cumbia, rock and funk. The Latin Ska music scene has embraced their music; however the material they are releasing on their first full length CD is too diverse to be limited to any one genre. It is indeed a variation of many sounds sure to appeal to all. UPGROUND began their musical journey early on, first at home and then at school. Participating in the school jazz band and orchestras these young musicians began to hone their skills. At home, the mix of traditional Latin music ranging from salsa to regional Mexican and everything in between began to fuse with the classic rock, blues, reggae, ska, and jazz they were listening to on their own. Undoubtedly, this eclectic range of music played an important role in developing into a delicate fusion of sounds that we now know as UPGROUND. The members are Adolfo Mercado Jr. Drums, Danny Estrada - Vocals & Guitar, Chris "Bolillo" Manjarrez Bass, and what has been introduced as the best horn section coming out of Los Angeles": Everado Garcia - Vocals & Trumpet, Chris De Los Santos - Tenor Sax & Keyboards, Eric Carrillo - Alto Sax & Timbales, Joseph Quinonez - Trombone, and Aaron Perez - Alto Sax UPGROUND has been playing locally for over 4 years and through their music these young men have developed a bond that translates into pure, raw musical energy. Their explosive live performances, displays their dedication, and pride not only to their music and the band as a whole, but to the communities they live in. This has transformed them into one of the most sought after young bands in Los Angeles competitive Latin music scene. In a short period of time they have shared the stage with such acts as Ozomatli, Tom Morello(Rage Against the Machine), Tierra, Malo, Quetzal, Voodo Glow Skulls, Go Betty Go, Quinto Sol and The B-Side Players to name a few. On the other side of the fence, they also had the privilege to open for Alternative bands like The Killers and The Chemical Brothers at the The Shrine Auditorium. Critical acclaim and recognition greeted UPGROUNDs first EP and their live performances as time went on, culminating in a surprise April 22, 2006 Los Angeles Times review. Writer Agustin Gurza wrote a glowing review of their show called Theyre Younger than they sound and said: Despite their age, they seem to channel artists many of their peers have never heard of Bob Marley, Glenn Miller, Arturo Sandoval, Tower of Power. And they play with a surprising mastery of complex harmonies and time changes. The review led to Nationwide attention including an offer to play Hollywood & Highland (Kodak Theater)s Fridays by the Fountain, and interest from the Reality TV show Jammin (on SITV). UPGROUND releases their debut full length CD titled Feel the Vibe in summer of 2006. Over a year in the making, it was Produced by Rudy Salas of Tierra, Mixed by David Salas (who produced La Sinfonia (Sony), Don Abusivo (Universal), El Pecador (Universal), and La Epidemia (EMI)), and Mastered by Brian Springer/ Precision Studios, who has produced/recorded Pink, Christina Aguilera, Mya, Snoop Dog, J-LO/Ja Rule, Ashanti, Alicia Keys, Michael Jackson, Fat Joe, Mariah Carey, and many more. UPGROUND does not have a major Label record deal yet however they are delivering a Major Record Label product. Watch out for UPGROUND, this is only the beginning. http://www.iicoc.com/podcast/upground_2.m4a Tue, 15 Aug 2006 16:32:54 -0500 Music no 00:19:39 indigneous, native american, american indian, empowerment, chamber of commerce, business, western hemisphere, music Martha Fast Horse - Entrepreneur of the month for August 2006 Martha Fast Horse Interview with Martha Fast Horse of the Sicangu Lakota Nation. IICOC's Entrepreneur of the month for August 2006 Interview with Martha Fast Horse of the Sicangu Lakota Nation. IICOC's Entrepreneur of the month for August 2006 http://www.iicoc.com http://www.iicoc.com/podcast/Martha%20Fasthorse%20Interview.m4a Tue, 15 Aug 2006 16:19:11 -0500 Music no 00:10:04 indigneous, native american, american indian, empowerment, chamber of commerce, business, western hemisphere, music Paul Underwood - Artist of the month for July 2006 Paul Underwood Interview with Valencia Blackhorse, Navajo of Native Youth Magazine Imagine being attacked by people you thought were your friends. Some, like Cheyenne musician Paul Underwood, compare it to a shark attack. That's also the name of his recently released album. Shark Attack features Underwood's extraordinary guitar playing. I was immediately drawn to the song "Blue Moon" (track 7 on the album). The album is mostly instrumental that captivates you while listening to his original sound. I thought Shark Attack was an interesting title for an album, so I asked Paul to explain it further? "It holds a lot of meaning of fake people shaking your hand, being your friend, but waiting for a moment to attack. Fake people unfortunately are out there. Producers may promise, but they don't keep it. That's why I self promote," Underwood said. Underwood spent the last year and a half working seven days a week taking care of the elderly plus raising four wonderful children. His spare time, which is in the evenings, is devoted to creating and recording his music in his home studio in Billings, Montana. This explains the soon to be completion of his sixth CD Sands of Time. So what keeps Underwood deeply focused on his music? For starters, it's made a difference in people's lives. One of Underwood's patients recently approached him and said just listening to his music saved his life. Another form of motivation for Underwood is having a second chance at life. Underwood spent 26 years of his life in the party scene. "I went through a lot of hardships and mistakes over the years. I've seen a lot in my time. But with the trouble that I got myself into, I've been able to overcome all the mistakes one day at a time," he replied. Underwood's personal music favorites are Judas Priest, Scorpions, April Wine, Fleetwood Mac, ACDC and other '80s rock bands to name a few. The best time for Underwood to create music is in the evenings, a habit he formed three-and-a-half years ago. Underwood started singing in his early teens and never took any singing lessons. He says he'd rather play the guitar than sing. Currently Underwood is working with a group called 'Dangerous Lazion'. He plays lead guitar. The music is a blend of everything. 'Sacred Ground' is similar to their style of music. Last March Underwood's music was picked up by radio stations in Europe. Paul acknowledged there are not many Native American rockers. The only one he knew of was BlackFoot. They released two albums and that was it. Lastly, Paul expressed a personal message to the Native youth. "At all costs, please stay out of the drug and alcohol world. This is one of my strongest statements. It's from personal experience. For all Indian youth, find something you love to do; art, pottery, anything. Believe in yourself. It has to be 100%. There is going to be a ton of sacrifices. Dreams do come true", Paul said. I had a chance to talk to Mr. Paul Underwood aka "Toadster", He is a member of the Northern Cheyenne Nation, Montana USA. Paul is 42, and is the founder of Exit Wound, a one man show. Paul is our Artist of the month for July 2006. Interview with Valencia Blackhorse, Navajo of Native Youth Magazine Imagine being attacked by people you thought were your friends. Some, like Cheyenne musician Paul Underwood, compare it to a shark attack. That's also the name of his recently released album. Shark Attack features Underwood's extraordinary guitar playing. I was immediately drawn to the song "Blue Moon" (track 7 on the album). The album is mostly instrumental that captivates you while listening to his original sound. I thought Shark Attack was an interesting title for an album, so I asked Paul to explain it further? "It holds a lot of meaning of fake people shaking your hand, being your friend, but waiting for a moment to attack. Fake people unfortunately are out there. Producers may promise, but they don't keep it. That's why I self promote," Underwood said. Underwood spent the last year and a half working seven days a week taking care of the elderly plus raising four wonderful children. His spare time, which is in the evenings, is devoted to creating and recording his music in his home studio in Billings, Montana. This explains the soon to be completion of his sixth CD Sands of Time. So what keeps Underwood deeply focused on his music? For starters, it's made a difference in people's lives. One of Underwood's patients recently approached him and said just listening to his music saved his life. Another form of motivation for Underwood is having a second chance at life. Underwood spent 26 years of his life in the party scene. "I went through a lot of hardships and mistakes over the years. I've seen a lot in my time. But with the trouble that I got myself into, I've been able to overcome all the mistakes one day at a time," he replied. Underwood's personal music favorites are Judas Priest, Scorpions, April Wine, Fleetwood Mac, ACDC and other '80s rock bands to name a few. The best time for Underwood to create music is in the evenings, a habit he formed three-and-a-half years ago. Underwood started singing in his early teens and never took any singing lessons. He says he'd rather play the guitar than sing. Currently Underwood is working with a group called 'Dangerous Lazion'. He plays lead guitar. The music is a blend of everything. 'Sacred Ground' is similar to their style of music. Last March Underwood's music was picked up by radio stations in Europe. Paul acknowledged there are not many Native American rockers. The only one he knew of was BlackFoot. They released two albums and that was it. Lastly, Paul expressed a personal message to the Native youth. "At all costs, please stay out of the drug and alcohol world. This is one of my strongest statements. It's from personal experience. For all Indian youth, find something you love to do; art, pottery, anything. Believe in yourself. It has to be 100%. There is going to be a ton of sacrifices. Dreams do come true", Paul said. http://www.iicoc.com/podcast/underwood.m4a Sat, 15 Jul 2006 12:08:24 -0500 Music no 00:26:34 indigneous, native american, chamber of commerce, western hemisphere, music Myron Pyawasit - Artist of the month for June 2006 Smokeytown Singers About the Songs Whether we are singing old traditional songs passed down in our community, or singing the new ones composed by our singers, there always seem to be reasons to remember people, teachings, or events that are connected in our minds with these songs. Sometimes we talk about those memories, but sometimes it is just part of our collective memories. It is an important part of these songs and why they are given to the people during the dance. We hope that this recording helps you to remember people and teachings in your lives that make a difference. Wae Wae Nen (Thank you) Smokeytown Singers Myron Pyawasit, Menominee Nation, Menominee, Wisconsin, USA, 52, Lead Singer of the Smokeytown Drum Group is our Artist of the month of for June 2006. About the Songs Whether we are singing old traditional songs passed down in our community, or singing the new ones composed by our singers, there always seem to be reasons to remember people, teachings, or events that are connected in our minds with these songs. Sometimes we talk about those memories, but sometimes it is just part of our collective memories. It is an important part of these songs and why they are given to the people during the dance. We hope that this recording helps you to remember people and teachings in your lives that make a difference. Wae Wae Nen (Thank you) Smokeytown Singers http://www.myspace.com/myronpyawasit http://www.iicoc.com/podcast/smokeytown.m4a Thu, 15 Jun 2006 09:45:18 -0500 Music no 00:11:57 indigneous, native american, chamber of commerce, western hemisphere, music